The Forge in Ballon
by
Tess Blanche

My father's name was John Brennan. He was born in 1883 and was the village
blacksmith in Ballon during the first half of the 1900s. Both his father
(Johnny) and grandfather (Mick) were blacksmiths in the village during
the 1800s. It was the Brennans' proud boast that no animal they ever
shod went lame from faulty workmanship.

(Tess as a young girl with
her dad John)
The sights and sounds of the forge are still vivid in my mind - the showers
of sparks flying off the huge anvil, the hissing of the shoes as the red
hot iron was dipped in the water trough and the hollow sighing sound of
the manual bellows that blew life into the eternal coal fire. Other sights
and sounds linger too - holding a candle for my father while he shod the
animals on dark winter nights (there was no electricity in Ballon until
the early 1950s); the procession of jittery horses and donkeys coming
in to be shod, with the occasional pony, jennet and even a mule added
for good measure; and the crunching of iron-rimmed wheels along the untarred
roads of my childhood.
Wet days were the busiest when farmers couldn't get out on the land. They
took advantage of the break to have a new set of shoes made or to get
a loose shoe fixed. Leckys of Ballykealy sent their hunters as well as
their farm horses to my father and on Saturdays it was my job to take
the bill to the steward for payment. It was also often my job to steady
the horses while he worked, a huge hoof clamped between his knees, while
the powerful animals tugged backwards and forwards. He pared the hooves
and measured for shoes, rasping and hammering, sizzling and clinching
and punching. The forge was always full of the acrid smell of burning
hoof, dusty iron, and coal smoke.
He worked six days a week. He was a sociable man and so the forge became
a focal point in the village. No doubt the ever-glowing coal-fire was
enticing too! There were always people around chatting and telling stories.
He kept a donkey himself both as a means of transport and for drawing
home timber, potatoes and hay. He was always trading donkeys with passing
travellers (and knocking great fun out of the exchange). This left his
children with the task of trying to get to know the habits and temperament
of the latest donkey! He liked to hunt with his dog and snare rabbits,
have a flutter on the horses, was fond of pitch and toss and was a passionate
card-player. On long Summer nights, under the spreading elm of the Bulltree,
the laughs and shouts of the card-players echoed through the village.
In Winter the game went snugly indoors. He beat the big drum in the Ballon
Fife and Drum Band that was the pride of the village for many years from
about 1915 until well into the 1920s.
Shoeing the Wheel
The forge, as many recall, was situated to the side and back of the last
house on the left as you leave the village for Bunclody. It was constructed
of stonewalls with a timber-framed canvas roof that always threatened
to blow away in high winds.

(Just out of sight at the bottom right of
this photo)
A little row of trees, fronted by some large stones
used for seating, jutted out into what is now the street. Opposite these
large stones was where my father shoed the wheels, that is, he set the
iron bands back on the wooden cartwheels. Bands loosened with toil and
time, and the carts would come wobbling arthritically to the forge. He
would chisel out a small piece of iron from the band, and then redden
and beat the band back together. There was no soldering equipment then!
I well remember the scorching turf fires that were lit in front of the
big seating stones; the iron band was set in the fire to soften. When
it was red hot my mother helped my father to gingerly remove it with the
aid of makeshift tongs. Many people still remember the square hole, formed
of granite stones, on the street in front of the forge. The wheel hub
was placed in this hole so that the band could be tapped back on safely.
When the iron cooled it tightened its grip on the timber wheel and the
job was done. The big excitement, among all this backbreaking work, was
making sure the heated-up timber wheel didn't go on fire, so it was all
hands on deck, so to speak, dousing the often-smoking timber rim with
buckets of water.
Doyles of Ballon
All the raw material my father needed for the forge was bought locally
at
E. J. Doyle's in the village (Doyle's again
now, after all the changes!). Doyles was the proverbial general store.
They had hardware, drapery, a grocery, an undertakers, even a medicines
cabinet and a pub. At the back they did their own bottling of the porter
that arrived in wooden barrels. Doyles was where my father bought his
lengths of shoeing iron, shoeing nails and coal. In the early years he
made all the shoes himself.

(The Hunt gathers outside of Doyles)
On hunt days in Ballon he prayed that no farm horses would come in, or
that none of the hunting horses would lose a shoe, so that he could follow
the hunt without interruption. He loved the colour and the excitement,
as we all did. In old age he entertained his grandchildren with stories
about the wily fox that attempted to outwit the hounds, about the rituals
of closing up the man-made coverts on Ballon Hill and in Ballykealy on
nights before the meet to prevent foxes getting back in after their night-time
travels. He also recalled the hubbub around the Bulltree as hounds and
horses and people milled about in preparation for a long adventurous day.
The Spinning Tops
Spinning tops were a common pastime during my childhood. Children would
come to the forge with cone-shaped blocks of wood into which my father
would hammer a piece of spiked iron. The children would then bind the
top with cord or twine and grasping the end of the cord fling the top
spinning onto a flat surface. If you had the 'knack' of expert pitching
your top could out-spin all others and be the last to fall, or it could
strike and knock the others, cracking some of them into pieces. You were
then declared the winner. Boxwood was the toughest of woods and if you
were lucky enough to get it, your top could demolish all comers. Competitions
were held and reputations made and lost and my father enjoyed his part
in it all.
Five girls in a row were born to my parents of which I was the youngest.
There was no son to carry on the Brennan blacksmithing tradition into
a fourth generation. Maybe my father was disappointed, I don't know. He
loved the children he had and that was good enough. Anyway, farm life
was changing rapidly. Mechanisation was on its way. Jim Hughes of Kellistown
had the first tractor in the parish in 1935. Faced with the huge increase
in mechanized farm equipment and because he was getting on in years and
with no son to take over he retired from blacksmithing in the early 1950s.
He carried on with his expanding newsagency (which he'd had since the
late 1930s) until his death in April 1963.
I remember him as Longfellow admiringly describes his prototype in The
Village Blacksmith:
The
smith, a mighty man is he,
With large and sinewy hands;
And the muscles of his brawny arms
Are strong as iron bands.
(This Article
first appeared in the Christmas edition of the Chronicle - 2002 - additional
photos added)
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